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Peter Bart

Peter Bart

Editor-At-Large

Peter moved to Deadline in 2016 from his longtime home at Variety, where he had been a fixture since 1989 as that trade's Editor-In Chief. He began his career as a staff reporter for The Wall Street Journal and The New York Times before his entry into the movie business, becoming Vice President for Production at Paramount. At that studio, he played a key role in such films as The Godfather, Rosemary’s Baby and Harold & Maude. He later served as Senior Vice President for Production at MGM and, later, as President of Lorimar films. Peter is also the author of nine books, and is a member of PMC's board of advisors.

More From Peter Bart

Peter Bart: Do Hefty Running Times Impact Movie Marketability? It’s A Long Story

Peter Bart: As Disney Celebrates Its Centennial, Old Walt Might Have Cringed At Some Recent Strategies

Peter Bart: Even In The Movies, Media’s Quest For Objectivity Has Been A Lost Cause

Peter Bart: Hollywood Looks To Its Senior Class For Help As Movie Release Calendar Gets A Reboot

Peter Bart: Step Up Your Networking? Not So Fast – There Could Be Hazards Ahead

Peter Bart: What Will The Box Office Business Learn From ‘Barbie’?

Peter Bart: Desperate Times Often Led To Groundbreaking Movies – Will They Do So Again?

Peter Bart: Hollywood’s Gridlock, Corporate Cuts Take Toll On PR Operatives

Peter Bart: Hollywood’s CEOs Locked In A Rich-Against-Poor Stalemate That Their Predecessors Mostly Ducked

Peter Bart Remembers His Friend William Friedkin: Brilliant, Brooding, Cerebral & A Lover Of Film

Peter Bart: ‘Barbie’ Has Box Office Floating On Pink Cloud With Its Fascinating Distractions

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