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Pete Hammond
Awards Columnist/Chief Film Critic
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Pete, widely considered to be one of the pre-eminent awards analysts for both film and television, has for the past 11 years been Deadline's Awards Columnist covering what is seemingly now the year-round Oscar and Emmy seasons. He is also Deadline's Chief Film Critic, having previously reviewed films for MovieLine, Boxoffice magazine, Backstage, Hollywood.com and Maxim, as well as Leonard Maltin’s Movie Guide for which he was a contributing editor. In addition to writing, Pete is also host of the KCET Cinema Series and the weekly KCET television series "Must See Movies." He previously held producing positions at "Entertainment Tonight", "Extra," "Access Hollywood," "The Arsenio Hall Show," "The Martin Short Show" and AMC Networks and is the recipient of five Emmy nominations for writing. Pete is only the second journalist to have received the Publicists Guild of America’s Press Award twice, in 1996 and 2013.
More From Pete Hammond
Toronto Film Festival 2023: All Of Deadline’s Movie Reviews
UPDATED with latest: The Toronto Film Festival began September 7 in Ontario with opening-night movie The Boy and the Heron, from Oscar-winning filmmaker Hayao Miyazaki. It kicked off a lineup for the fest’s 48th edition that included world premieres of GameStop pic Dumb Money, Netflix's Pain Hustlers…
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By Stephanie Bunbury, Valerie Complex, Pete Hammond, Todd McCarthy, Damon Wise
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1 Comments Comment on Toronto Film Festival 2023: All Of Deadline’s Movie Reviews
‘American Fiction’ Wins Toronto Film Festival’s People’s Choice Award – Oscar Harbinger?
The People’s Choice Award from the just-wrapped 2023 Toronto Film Festival has gone to Cord Jefferson’s American Fiction. First Runner-Up is Alexander Payne’s The Holdovers. Second Runner-Up is Hayao Miyazaki’s The Boy and the Heron. The Documentary Award…
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By Pete Hammond
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‘Mountains’ Review: Touching Story Of Haitian Family In Miami Is Impressive Directorial Debut For Monica Sorelle – Toronto Film Festival
Watching Mountains, which just made its international debut as part of the Toronto Film Festival’s Centerpiece program, I could not help but think of two other landmark films it seems to recall in its own way. One was 2019’s The Last Black Man In San Francisc…
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By Pete Hammond
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‘The Movie Teller’ Review: Bérénice Bejo, Daniel Brühl In An Enchanting Chilean Cross Between ‘The Last Picture Show’ And ‘Cinema Paradiso’ – Toronto Film Festival
When I was in college cinema courses I made a Super 8 film called Movie Girl. It was a Hollywood-set love letter to movies centered on a Musso & Frank waitress who put herself dreamily into the plots of classic films. It won an award there but was the…
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By Pete Hammond
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Oscars: 50th Student Academy Awards Names 14 Winners
Out of nearly 2,500 entries, 14 students have been named winners of the 50th annual Student Academy Awards competition by the Academy of Motion Picture Arts and Sciences.
The winners are (listed alphabetically by category):
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By Pete Hammond
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‘Pain Hustlers’ Review: Emily Blunt & Chris Evans In Chilling Movie That Explores The Dark Side Of Pharma Grifters – Toronto Film Festival
Netflix’s Pain Hustlers is a largely fictionalized tale of a very real-world and rather eye-opening business: selling an easy fix for what ails us, even if it leads to addiction and death.
Although names have been changed and characters invented…
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By Pete Hammond
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‘The Burial’ Review: Jamie Foxx And Tommy Lee Jones Lead Rousing David Vs. Goliath Deep South Legal Story – Toronto Film Festival
The Burial is a not-so-great title; it sounds like a horror film. I hope it doesn’t keep people away from this highly entertaining, crowd-pleasing movie that otherwise is an example of what good old fashioned Hollywood filmmaking can still be all about in…
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By Pete Hammond
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‘The Royal Hotel’ Review: Julia Garner And Jessica Henwick View Men From A Female Gaze In Kitty Green’s Return To Australian Filmmaking – Toronto Film Festival
In 2019, Australian documentary filmmaker Kitty Green made her first narrative movie, a piercing almost cinéma vérité-style movie focused on an office assistant in a Tribeca film company run by a not-so-thinly disguised Harvey Weinstein. The male culture there and the sexual acts of the boss made it…
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By Pete Hammond
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‘Knox Goes Away’ Review: Michael Keaton Directs Himself Into One Of His Most Memorable Performances As A Contract Killer With Dementia – Toronto Film Festival
Michael Keaton, after making his directorial debut with 2008’s The Merry Gentleman, steps behind the camera again with his latest film Knox Goes Away, in which he also delivers one of his finest and most poignant performances as a man facing a rare form of…
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By Pete Hammond
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‘Next Goal Wins’ Review: Taika Waititi Adds The Heart And Humor To Real Life Story Of Losing American Samoa Soccer Team’s Ultimate Vindication – Toronto Film Festival
Fall film festivals are usually where we look for the more serious awards-bait pictures, but occasionally, as with tonight’s rousing world premiere of Taikia Waititi’s long-gestating soccer comedy Next Goal Wins, you get a real commercial crowd…
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By Pete Hammond
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‘Dream Scenario’ Review: Nicolas Cage Hits The Heights Of Comedy In A Hysterical Role Like No Other In His Career – Toronto Film Festival
Nicolas Cage, after more than 100 credits, finally has his dream role, at least as comedy fans are concerned. He knocks it out of the park as a schlubby, balding college professor who suddenly starts appearing in people’s dreams, first his daughter’s, then an old girlfriend’s, and soon millions of people…
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By Pete Hammond
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‘Mother, Couch’ Review: Ewan McGregor In A Kafkaesque Family Drama Set In An IKEA Universe Where Ellen Burstyn Becomes A Couch Potato – Toronto Film Festival
Take a bit of Kafka, throw in some Buñuelian realism, add a dose of John Cheever (circa The Swimmer) and then hand the recipe over to a first-time feature-making Swedish director with fond memories of a childhood spent in IKEA furniture stores, then put together an A-List cast, and you essentially have Mot…
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By Pete Hammond
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